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note frequency造句

"note frequency"是什么意思   

例句与造句

  1. Note : Slight size or diameter adjustment is needed to zero in on the precise half note frequency.
  2. Graha bhedam is the step taken in keeping the relative note frequencies same, while shifting the Shadjam to the next note in the rgam.
  3. Graha bhedam is the step taken in keeping the relative note frequencies same, while shifting the " shadjam " to the next note in the rgam.
  4. If a diva can sing an exact note frequency, the energy of her sound waves will piggyback on the natural molecular resonance and create a physical reaction : The glass shatters.
  5. Such a gap does not occur in any other " melakarta " by definition . " Graha bhedam " is the step taken in keeping the relative note frequencies same, while shifting the " shadjam " to the next note in the rgam.
  6. It's difficult to find note frequency in a sentence. 用note frequency造句挺难的
  7. "Kanakangi's " notes when shifted using " Graha bhedam ", yields " Kamavardani " . " Graha bhedam " is the step taken in keeping the relative note frequencies same, while shifting the " shadjam " to the next note in the rgam.
  8. "Manavati's " notes when shifted using " Graha bhedam ", yields " Kantamani " rgam . " Graha bhedam " is the step taken in keeping the relative note frequencies same, while shifting the " shadjam " to the next note in the rgam.
  9. "Namanarayani's " notes when shifted using " Graha bhedam ", yields no other " melakarta " rgam . " Graha bhedam " is the step taken in keeping the relative note frequencies same, while shifting the " shadjam " to the next note in the rgam.
  10. "Divyamani's " notes when shifted using " Graha bhedam ", yields no other " melakarta " rgam . " Graha bhedam " is the step taken in keeping the relative note frequencies same, while shifting the " shadjam " to the next note in the rgam.
  11. "Tanarupi's " notes when shifted using " Graha bhedam ", yields no other " melakarta " rgam . " Graha bhedam " is the step taken in keeping the relative note frequencies same, while shifting the " shadjam " to the next note in the rgam.
  12. "Suvarnangi's " notes when shifted using " Graha bhedam ", yields no other " melakarta " rgam . " Graha bhedam " is the step taken in keeping the relative note frequencies same, while shifting the " shadjam " to the next note in the rgam.
  13. "Dhavalambari's " notes when shifted using " Graha bhedam ", yields no other " melakarta rgam " . " Graha bhedam " is the step taken in keeping the relative note frequencies same, while shifting the " shadjam " to the next note in the rgam.
  14. This variant of the chip adds a number of major enhancements, such as separate envelopes for the three channels ( as opposed to one shared envelope ), variable duty-cycles, more bits of precision for note frequency, volume, and envelope frequency, and a much more configurable noise generator.
  15. "Pavani's " notes when shifted using " Graha bhedam " does not yield any other " melakarta " . " Graha bhedam " is the step taken in keeping the relative note frequencies same, while shifting the " shadjam " to the next note in the rgam.
  16. "Rupavati's " notes when shifted using " Graha bhedam ", does not yield any " melakarta " rgam . " Graha bhedam " is the step taken in keeping the relative note frequencies same, while shifting the " shadjam " to the next note in the rgam.
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Last modified time:Mon, 18 Aug 2025 00:29:56 GMT